KATHLEEN O’NEILL
(Director/producer) is a director, actor and producer
in
Vincent Marano (Playwright/producer) has been a fixture in the New York
Theatre community for fifteen years and at the New York International Fringe
Festival for the last six, directing the award-winning productions of Tim
Nolan’s The Way Out (Fringe, 2002, Best
Performance), Acts of Contrition
(Fringe, 2003, Best Play), sold out hits Wrong Barbarians and Choking on Happiness
(Fringe 2004) and his own political satire A Collapse (Fringe, 2006) and as dramaturg on Halflife (Fringe 2005, Best Play). He produced
the critically acclaimed Box Office of
the Damned (with the then unknown Kristin Chenoweth). As a resident director
at Belmont Italian American Playhouse he produced or directed a dozen plays,
including early works by Julia Jordan, commedia dell’arte productions and Italian language productions of
Pirandello, Dario Fo and Eduardo De Fillipo. Most recently, Vincent’s new translation of Machiavelli’s The Mandrake was staged by Daryl Boling at the manhattan theatre source to rave reviews and he directed
Elza Zagreda’s highly
successful one woman show Corn Bread and
Feta Cheese: Growing Up Fat and Albanian in New York and Los Angeles and his own
critically acclaimed note to self
at the manhattan theatresource. Vincent is a proud member of the
Writer’s Forum (www.theatresource.org), wishes to thank
his amazing cast and especially La Signora herself, Ms. Kathleen, I Signori
Armstrong e Parson, Signorina Zipoy, Grand Signore Lawson, his long list of family and
friends who helped inspire and spell check this play and his love Ti AMA. He
dedicates this show to his mother, the original signora… Se sempre in mei cuore.
VICTORIA
BUNDONIS (La
Signora) New York Theatre: The Memory of Water (
Ridley Parson (Onesto) has
been recently seen in a Spontaneous Combustion written by the Family Guy guys,
Wicked Tavern Tales(Fortunado/Alfred), Measure for
Measure (Claudio - yes really), Sam Shepard's Lie of
the Mind (Mike) and in Mac Rogers' critically acclaimed new work Universal
Robots were he orientated the roles of Salda, Baruch
and a few others to boot. Other NYC stage credits include Trey Parker's Cannibal
the Musical (
James Armstrong (Sagesto) is
a
MICHAEL BLACK(Zlo) moved
here two years ago from
Gabriella Willenz (Assistant Director) is
a director and actor. She recently moved to
Ien DeNio
(Sound Design) has
a particular passion for sound. If something goes bump, pang or poing, its sure to amuse her to no
end. Just recently she graduated from
Will Lowry(Lighting/Costume
Design) is
a lighting, scene, and costume designer currently assisting an award-winning
Broadway designer after spending the last year as resident scene and lighting
designer for the California Theatre Center in the San Jose area. Previous
regional and collegiate designs include: (lighting) The Foreigner, Godspell, South Pacific, The Woman in Black, Charlotte's
Web, and Urinetown; (scenery) They're Playing Our
Song, Madeline's Christmas, The Legend of Sleepy Hollow, The Tender Land, and
Three Sisters; and (costumes) A Midsummer Night's Dream, Absent Friends, Charlie
and the Chocolate Factory, and A View from the Bridge. Visit http://www.will-lowry.com/
for more.
John Crotty (Stage Manager) Stage
Managing: Monteverdi's Return of
Ulysses (Greenwich Music Festival), Zamir Choral
Foundation's Israel at 60 Celebration at Carnegie Hall, Minimum Wage
(Off-Broadway), Cat on a Hot Tin Roof (Actors Theater San Francisco), American Theater Dance Festival, Oberlin
Dance Company Pilot Dance Series, Mel-O-Chords Chorus Christmas Concert, Stand
Up Girl , The Unusual Suspects (NYCFringe07) Technical: Kirisamasu
Karoru , Uncle Vanya, Baby
the Musical (Set Designer/Tech Dir).
Besides working behind the scenes, John has also performed in Amadeus,
Midsummer Nights Dream, Cherry Orchard (Firs),
Little
Known facts:
Click here: Italian Hand Gestures Index